My Top Ten Albums of 2017

General

Hello! I hope you all had a great start into the year. In my first post of the new year, I’d like to show you my list of favorite albums of 2017. These albums all had a strong impact on me, impressed me in a special way or were just outstandingly entertaining. I don’t claim that these are indeed the “best” albums of the year, objectively, but these are the ones that I like the most. So, without further ado, here are my top ten favorite albums of 2017:


10. A Hill To Die Upon – Via Artis Via Mortis

A1aPGwg86YL._SL1500_.jpgThis album is, in my humble opinion, a Blackened Death Metal masterpiece. The album is a varied and interesting work that takes a few unexpected turns – both musically and lyrically – but remains coherent in atmosphere and tonality. An atmospheric and dark album with fantastic lyrics and interesting songwriting.

 

 

9. Chelsea Wolfe – Hiss Spun

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The dark Neo-Folk sound which has become Chelsea Wolfe’s trademark over the years is still present on her newest album, but this time it has been dragged through mud and sludge and thrown into an abyss from which it slowly crawls out to find its way into your soul. Heavy, sometimes almost droning riffs, drenched in reverb, hard and heavy, powerful drumming, dark electronics, and Chelsea’s impending vocals singing about everything that’s not right with this world and her own personal demons fuse into intimidating walls of sound that are repeatedly broken down by moments of whispering calmness.
“Hiss Spun” is Wolfe’s most refined work to date, as it is a logical culmination of all the musical elements that characterized her previous works and an outstandingly captivating and varied record in its own right.

8. Fen – Winter

a1318273058_10.jpgFen have perfected their style of atmospheric, Post-Rock influenced Black Metal and provide us with an intriguing concept album that is progressive, musically immaculate, versatile and atmospheric.
The balance between frostbitten and furious Black Metal and contemplative, melancholic calm passages is as close to perfection as an album can probably get.
An absolutely stunning piece of music, full of melody, atmosphere and power.

7. Ne Obliviscaris – Urn

a3365015821_10.jpgAnother masterpiece by one of the most consistently fantastic Metal bands of the decade. On this album, the band further perfected their distinct sound, an intriguing mixture of Melodic Death, Black and, most prominently, Progressive Metal. “Urn” is a streamlined and coherent, yet surprising and inspiring album that everyone should listen to.

 

 

6. Boris – Dear

a3010870023_10.jpgThis album is probably one of, if not the most interesting and diverse and at the same time most coherent Drone albums I’ve ever heard. It’s also one of the heaviest. The intense atmosphere created by the slow and dark riffs and the emotional vocals is crushingly beautiful, cold and eerie at the same time. The album also has some beautiful calm, atmospheric passages that balance out the heaviness of the rest of the album perfectly and add another emotional layer to it. Incredible stuff.

5. Black Kirin – Nanking Massacre

a0550747135_10.jpgBlack Kirin blend various forms of Extreme Metal, Chinese folk music and operatic elements together into a very unique sounding and highly entertaining album. The lyrical topic of the album, the incredibly gruesome and devastating Nanking Massacre of 1937, gives it a very emotional dimension that won’t leave you untouched.

 

4. White Ward – Futility Report

a2142312175_10.jpgAn incredibly fascinating debut album on which the band melts elements of Black Metal, Post-Rock and Jazz together. The result is an impressively powerful and emotional album that is mesmerizing and continuously surprising from start to finish.
One of the best and most creative albums of the year. Go and check it out if you are a fan of experimental music!

 

 

3. Wode – Servants of the Countercosmos

cover[…] From the atmospheric intro to the acoustic guitar outro the album takes you on a highly entertaining and brilliantly written musical journey through everything we love about Black Metal (or extreme Metal in general) […].
Full review: Wode – Servants of the Countercosmos.

 

 

2. Leprous – Malina

Malina.jpg“Malina” shows the band moving away from almost any Extreme Metal elements that they used in the past and moving forward to a more atmospheric, more emotional, “ethereal” sound. What hasn’t changed is the band’s outstanding talent for brilliant songwriting and their love for experimentation. Odd time signatures, weird instrumentation and interesting song structures – it’s all there. But the album doesn’t come off as too technical – thanks to the focused and intelligent songwriting. While the music itself is nothing short of brilliant, Einar Solbergs distinctive crystal clear vocals remain one of my favorite elements of Leprous‘ sound. I don’t know what it is but his vocals are cold and emotional at the same time, they have something very special to them that only very few singers have.
Yes, “Malina” is less “heavy” than Leprous‘ earlier material, but that’s a great thing because it lets the band expand their sound further than ever before.
If you are looking for an album that is progressive, experimental, atmospheric, surprising, technical, emotionally touching and just overall mesmerizing from start to finish, look no further than “Malina”


1. Der Weg Einer Freiheit – Finisterre

Der-Weg-Einer-Freiheit-Finisterre.jpgFinisterre. The end of the world. The end of a journey. The end of a life. The beginning of something new? Whereto do you go when everything around you perishes? And what will remain when you are gone?
Der Weg Einer Freiheit ask questions of final importance, they mourn the transitoriness of human existence, they open doors into the darkest chambers of human nature.
On strings of fire, drums of war, they evoke a symphony of darkness and despair. These songs are drenched in pain, passion and rage. They come slowly, like dark waves of sound, until they crush around you with furious force.
“Finisterre” is an album that I have listened to countless times this year. No other album this year had an impact on me quite as this one. And no other album this year felt so … perfect, right from the first listen on. This is not only my favorite album of the year but also one of the best Black Metal albums I’ve ever heard.
The album is full of breathtakingly beautiful melodies and has an incredibly captivating atmosphere. This album is far from being your typical Atmospheric Black Metal album, though. Singer, songwriter and lead guitarist Nikita Kamprad is an absolute beast on guitar and vocals and a master composer whose talent for captivating, coherent, yet immensely interesting compositions shows on this album, more than ever before. Both lyrics and music are incredibly well written and harmonize perfectly together, creating a sense of deep melancholy in the listener.
“Finisterre” is DWEF through and through, but it is also very different from the band’s previous records in the sense that the band added more progressive elements, e.g. clean vocals, cello and almost jazzy acoustic sections to their sound.
“Finisterre” is an album that you will listen to over and over again without it losing any of its initial fascination. In my opinion, Der Weg Einer Freiheit have not only outdone themselves but also crafted nothing short of a Black Metal masterpiece with this album that proves that they stand head and shoulders above most modern Black Metal acts.


Well, that’s it. One final goodbye to 2017. 2018 will have to work hard to get as good as this year. BTW, my posting schedule will stay the same this year as it was last year: non-existent. And with that, thanks for reading, have a great year and STAY METAL!

 

 

 

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BABYMETAL – BABYMETAL (2014)

Reviews

BABYMETAL – BABYMETAL
February 26th, 2014 (Japan); BMD Fox
LP (54 min.)
“Kawaii Metal”, Avantgarde Metal, Crossover, Death Metal, Power Metal

Lineup:
Suzuka “Su Metal” Nakamoto – Vocals
Yui “Yui-Metal” Mizuno – Vocals
Moa “Moa-Metal” Kikuchi – Vocals
Kami-Band – instruments

Track list:
01. BABYMETAL DEATH
02. Megitsune
03. Gimme Chocolate!!
04. Iine!
05. Akatsuki
06. Doki Doki☆Morning
07. Onedari Daisakusen
08. 4 no Uta
09. Uki Uki★Midnight
10. Catch me if you can
11. Akumu no Rinbukyoku
12. Head Bangya!!
13. Ijime, Dame, Zettai


Today is the 18th birthday of Yui-Metal, one of BABYMETAL‘s singers/dancers and I figured that this would be a good day to make a post about the band’s debut album.

BABYMETAL are without a doubt one of the most unique Metal bands out there. I honestly understand anyone who can’t get into their music because it is a very “special” mixture of styles, moods and imagery. BABYMETAL‘s very wide range of stylistic features puts them into an interesting position where they are both appealing to a huge and diverse group of people and repulsive to a similarly huge and diverse group of people at the same time. And I am in the position of a person who has transcended from the second group into the first.

When I heard of BABYMETAL for the first time and saw one of their music videos about five years ago I decided to hate the band. And I successfully avoided anything related to BABYMETAL until last year when I more or less coincidently came across the band’s second full length album “Metal Resistance”. It completely changed my mind about BABYMETAL and instantly made me a fan. From then on I started devouring everything BABYMETAL – including their debut album.

I grew to love “Babymetal” (almost) as much as “Metal Resistance”.
The debut album is a collection of songs that were originally recorded in the years from 2010 to 2014 and is therefore not such a coherent album as “Metal Resistance”.

I would not recommend the debut album to newcomers to the band who have never heard anything from them because it really is a CRAZY musical experience. From Rap through EDM, J-Pop, Death Metal, Power Metal, Symphonic Metal, Dubstep and Pop Punk, this album takes a huge amount of stylistic elements and turns them into a weird but incredibly catchy and fascinating sonic experience that no Metalhead should miss.
If you are new to the band, check out “Metal Resistance” first, though. It is a more coherent and focused album and I just think that it is less “shocking” than their debut album while being just as much fun.

If you are looking for something crazy and fun and haven’t listened to this band, check them out.


Listen to the album on Spotify.

Visit the band’s official website.


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netra – Ingrats (2017)

Reviews

netra – Ingrats
March 9th, 2017 (Norway/France); Hypnotic Dirge Records
LP (39 min.)
Avantgarde/Depressive Black Metal

Lineup:
Netra – All instruments, Vocals

Track list:
01. Gimme a Break
02. Everything’s Fine
03. Underneath My Words the Ruins of Yours
04. Live with It
05. Infinite Boredom
06. Don’t Keep Me Waiting
07. A Genuinely Benevolent Man
08. Paris or Me
09. Could’ve, Should’ve, Would’ve
10. Jusqu’au-boutiste


A few days ago I stumbled across a record label called Hypnotic Dirge Records on Bandcamp. It is a label focusing on underground experimental/atmospheric Doom and Black Metal bands. All the albums on the label are available for free download on Bandcamp (an opportunity which I used to full capacity).

One of the most interesting artists on the label is French Avantgarde Metal band/one man project netra. His music is unlike anything I’ve ever heard before. The main musical style being Depressive Black Metal, netra incorporates elements from multiple genres like Jazz, Blues and, first and foremost, Trip-Hop (!) into his music. However crazy and unfitting this combination might sound on the paper, the actual music is amazing.

“Ingrats” is netra‘s most recent full length record and it’s probably his most eclectic and interesting work so far.

The atmospheric Trip-Hop and the raw Black Metal elements work perfectly together to create an atmosphere of depression and melancholy that can only be described as captivating.

The album surprised me repeatedly with unexpected stylistic breaks and is on the whole just an exceptionally rewarding listening experience.

If you are interested in unusual, experimental music with the Black Metal tag attached to it, you have to check this album out.


You can download this album for free from Bandcamp.

Visit the band’s official facebook page.


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TIMŌRĀTUS feat. weapons of indignation – Compass (2017)

Reviews

TIMŌRĀTUS feat. weapons of indignation – Compass
April 19th (USA), self-released
EP (17 min.)
Drone Doom, Avantgarde Metal

Lineup:
Aleks Tengesdal – Vocals / Cello
David Napier – Guitar / Bass

 

Track list:
01. Voice of the Lion
02. Gaze


The “Compass” EP is the newest release by Christian experimental one man Metal project TIMŌRĀTUS, which came into being in collaboration with another underground one man project called weapons of indignation.

Over the last few years, David Napier, the man behind TIMŌRĀTUS, has been experimenting with many different styles of Metal and released a cohesive concept series of EPs each of which had a different genre (the EPs are titled “Death”, “Doom”, “Black” and “Grind”, accordingly to their respective genre).
This 17 minutes EP now falls into yet another stylistic category of Metal, namely Drone Doom.

I really liked his genre EPs so far but I must say that they were nothing too special. They were “generic”, which was kind of the idea behind them in the first place but also made them a bit less enjoyable than they probably could’ve been.
This EP on the other hand really is something special.

Drone Doom always has the potential to be very one dimensional and grow boring rather quickly, so it’s always nice to hear a band experiment with unusual musical elements to make their sound stand out from the rest.

For “Compass”, TIMŌRĀTUS teamed up with Aleka Tengesdal (weapons of indignation), a cellist. So what we hear on this almost entirely instrumental EP is great atmospheric Drone Doom, overlaid with dark, creeping, sometimes dissonant cello playing. The music is very heavy and creates a dense atmosphere that feels dark but also has those indescribable moments of light piercing through.

This EP is definitely one of the most interesting pieces of Drone I’ve heard this year and I highly recommend it to everyone who likes the genre.


You can download TIMŌRĀTUS’ whole discography for free from Bandcamp.


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