My Top Ten Albums of 2017

General

Hello! I hope you all had a great start into the year. In my first post of the new year, I’d like to show you my list of favorite albums of 2017. These albums all had a strong impact on me, impressed me in a special way or were just outstandingly entertaining. I don’t claim that these are indeed the “best” albums of the year, objectively, but these are the ones that I like the most. So, without further ado, here are my top ten favorite albums of 2017:


10. A Hill To Die Upon – Via Artis Via Mortis

A1aPGwg86YL._SL1500_.jpgThis album is, in my humble opinion, a Blackened Death Metal masterpiece. The album is a varied and interesting work that takes a few unexpected turns – both musically and lyrically – but remains coherent in atmosphere and tonality. An atmospheric and dark album with fantastic lyrics and interesting songwriting.

 

 

9. Chelsea Wolfe – Hiss Spun

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The dark Neo-Folk sound which has become Chelsea Wolfe’s trademark over the years is still present on her newest album, but this time it has been dragged through mud and sludge and thrown into an abyss from which it slowly crawls out to find its way into your soul. Heavy, sometimes almost droning riffs, drenched in reverb, hard and heavy, powerful drumming, dark electronics, and Chelsea’s impending vocals singing about everything that’s not right with this world and her own personal demons fuse into intimidating walls of sound that are repeatedly broken down by moments of whispering calmness.
“Hiss Spun” is Wolfe’s most refined work to date, as it is a logical culmination of all the musical elements that characterized her previous works and an outstandingly captivating and varied record in its own right.

8. Fen – Winter

a1318273058_10.jpgFen have perfected their style of atmospheric, Post-Rock influenced Black Metal and provide us with an intriguing concept album that is progressive, musically immaculate, versatile and atmospheric.
The balance between frostbitten and furious Black Metal and contemplative, melancholic calm passages is as close to perfection as an album can probably get.
An absolutely stunning piece of music, full of melody, atmosphere and power.

7. Ne Obliviscaris – Urn

a3365015821_10.jpgAnother masterpiece by one of the most consistently fantastic Metal bands of the decade. On this album, the band further perfected their distinct sound, an intriguing mixture of Melodic Death, Black and, most prominently, Progressive Metal. “Urn” is a streamlined and coherent, yet surprising and inspiring album that everyone should listen to.

 

 

6. Boris – Dear

a3010870023_10.jpgThis album is probably one of, if not the most interesting and diverse and at the same time most coherent Drone albums I’ve ever heard. It’s also one of the heaviest. The intense atmosphere created by the slow and dark riffs and the emotional vocals is crushingly beautiful, cold and eerie at the same time. The album also has some beautiful calm, atmospheric passages that balance out the heaviness of the rest of the album perfectly and add another emotional layer to it. Incredible stuff.

5. Black Kirin – Nanking Massacre

a0550747135_10.jpgBlack Kirin blend various forms of Extreme Metal, Chinese folk music and operatic elements together into a very unique sounding and highly entertaining album. The lyrical topic of the album, the incredibly gruesome and devastating Nanking Massacre of 1937, gives it a very emotional dimension that won’t leave you untouched.

 

4. White Ward – Futility Report

a2142312175_10.jpgAn incredibly fascinating debut album on which the band melts elements of Black Metal, Post-Rock and Jazz together. The result is an impressively powerful and emotional album that is mesmerizing and continuously surprising from start to finish.
One of the best and most creative albums of the year. Go and check it out if you are a fan of experimental music!

 

 

3. Wode – Servants of the Countercosmos

cover[…] From the atmospheric intro to the acoustic guitar outro the album takes you on a highly entertaining and brilliantly written musical journey through everything we love about Black Metal (or extreme Metal in general) […].
Full review: Wode – Servants of the Countercosmos.

 

 

2. Leprous – Malina

Malina.jpg“Malina” shows the band moving away from almost any Extreme Metal elements that they used in the past and moving forward to a more atmospheric, more emotional, “ethereal” sound. What hasn’t changed is the band’s outstanding talent for brilliant songwriting and their love for experimentation. Odd time signatures, weird instrumentation and interesting song structures – it’s all there. But the album doesn’t come off as too technical – thanks to the focused and intelligent songwriting. While the music itself is nothing short of brilliant, Einar Solbergs distinctive crystal clear vocals remain one of my favorite elements of Leprous‘ sound. I don’t know what it is but his vocals are cold and emotional at the same time, they have something very special to them that only very few singers have.
Yes, “Malina” is less “heavy” than Leprous‘ earlier material, but that’s a great thing because it lets the band expand their sound further than ever before.
If you are looking for an album that is progressive, experimental, atmospheric, surprising, technical, emotionally touching and just overall mesmerizing from start to finish, look no further than “Malina”


1. Der Weg Einer Freiheit – Finisterre

Der-Weg-Einer-Freiheit-Finisterre.jpgFinisterre. The end of the world. The end of a journey. The end of a life. The beginning of something new? Whereto do you go when everything around you perishes? And what will remain when you are gone?
Der Weg Einer Freiheit ask questions of final importance, they mourn the transitoriness of human existence, they open doors into the darkest chambers of human nature.
On strings of fire, drums of war, they evoke a symphony of darkness and despair. These songs are drenched in pain, passion and rage. They come slowly, like dark waves of sound, until they crush around you with furious force.
“Finisterre” is an album that I have listened to countless times this year. No other album this year had an impact on me quite as this one. And no other album this year felt so … perfect, right from the first listen on. This is not only my favorite album of the year but also one of the best Black Metal albums I’ve ever heard.
The album is full of breathtakingly beautiful melodies and has an incredibly captivating atmosphere. This album is far from being your typical Atmospheric Black Metal album, though. Singer, songwriter and lead guitarist Nikita Kamprad is an absolute beast on guitar and vocals and a master composer whose talent for captivating, coherent, yet immensely interesting compositions shows on this album, more than ever before. Both lyrics and music are incredibly well written and harmonize perfectly together, creating a sense of deep melancholy in the listener.
“Finisterre” is DWEF through and through, but it is also very different from the band’s previous records in the sense that the band added more progressive elements, e.g. clean vocals, cello and almost jazzy acoustic sections to their sound.
“Finisterre” is an album that you will listen to over and over again without it losing any of its initial fascination. In my opinion, Der Weg Einer Freiheit have not only outdone themselves but also crafted nothing short of a Black Metal masterpiece with this album that proves that they stand head and shoulders above most modern Black Metal acts.


Well, that’s it. One final goodbye to 2017. 2018 will have to work hard to get as good as this year. BTW, my posting schedule will stay the same this year as it was last year: non-existent. And with that, thanks for reading, have a great year and STAY METAL!

 

 

 

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Widziadło – Void (2017)

Reviews

Widziadło – Void
September 29th, 2017 (Poland); Opus Elefantum Collective
LP (47 min.)
Dark Ambient, Funeral Doom Metal, Atmospheric Black Metal

Lineup:
T – guitars, drums, production
Zguba – ambiance, production

Track list:
01. Gateway
02. Beyond Earth And Reason
03. Nether Reach
04. Halo
05. Creation
06. Entering The Void


Void is the debut album of the Black Metal duo Widziadło. The label dubs their music “Cosmic Ritual Black Metal”, which is a fitting description, but only touches on some elements of their music. More on that later. The band consists of the musicians Zguba, who debuted in 2016 with an interesting martial industrial album titled „The Last Command”, and T., who would like to stay anonymous. The whole project was born in 2012, when the artists met each other by mere accident on a Chilean beach. They realized that they shared the dream of space travel to experience the cosmic void and this shared dream united them instantly. The idea behind Widziadło was to reach sonic transcendency, a breakaway from well known reality and dimension. Widziadło is the result of the longing for a metaphysical, out-of-body liberty, a transcendence into the cosmic void.

The completion of Void took over half a decade. Through the years, the project continuously changed its sonic identity –  from space ambient to shoegaze, from sophisti-pop to harsh noise. The final result is an almost entirely instrumental album that combines all these elements into a rather unique sonic experience.

The album starts with “Gateway”, a track that begins like your typical shoegazy Atmospheric Black Metal song – a repeated riff and monotonous drums, howling incomprehensible vocals in the background. The folk influences become more obvious as the song goes on and the guitr works gets a bit more varied. It isn’t until the song is halfway over though, that something really interesting happens. The second half of the song was quite surprising to me though, as it introduces ambient elements to the Black Metal sound, reduces the tempo and starts getting more and more “spacey”. It becomes clear what the band is trying to convey with this album – a connection with the endless void of space on an atmospheric level. The guitar work on this track is a bit hindering in my opinion, as it stays rather monotonous and kind of boring throughout the whole track. A stronger focus on the ambient elements would have made this a better introduction to the album, in my opinion, but it is still a solid track in the context of the whole record.

With “Beyond Earth And Reason”, Widziadło are clearly paying hommage to well known Cascadian Black Metal acts like Wolves In The Throne Room or Falls of Rauros, but expand the typical Cascadian sound by synth lead melodies reminiscent of Atmospheric Black Metal bands like Elderwind. It is a very atmospheric and beautiful track, that isn’t crazily original, but a very good Atmospheric Black Metal track that shows that Widziadło definitively have some decent songwriting skills and a feeling for atmosphere.

“Nether Reach” is the first pure Ambient track on the album – and a fantastic one. The atmopshere evoken by the droney industrial and cosmic sounding noises on this track is creepy and very evocative – it takes you right into “the void”. A fantastic track and probably one of my favorites on the album.

“Halo” is a combination of what has happened so far on the album – a song that takes in both Ambient and Metal elements and floods the listener with crushing waves of sound. This song cannot be described as Black Metal, but comfortably sits in the genre of Atmospheric Funeral Doom. With slow drums and guitars, laid over an ethereal Ambient soundscape, the track instantly creates an atmosphere of solitude and emptiness on a cosmic level.

“Creation” continues this stylistic direction and is another slow paced track that is primarily defined by dark Ambient walls of sound and slow Funeral Doom riffs, but also brings back some of the Black Metal elements that dominate the first two tracks on the album. The song has a very creepy vibe to it, which is supported by the avantgard structure of the first half of the track. This song is another fine example of great atmospheric music that sits in the upper echelon of the songs on this record.

The album is brought to a close by the epic 13 minute long “Entering The Void”, which is the culmination of all the influences that define the sound of this record, and is at first even slower in tempo, leaning towards the Drone Doom side of things, then getting back to the Black Metal sound that dominates the first two tracks, while throughout the playing time once more strengthening the ethereal concept of the album with dreamy synths and shoegazy guitar riffs.

Void is a surprising album that starts off sounding like an average Atmospheric Black Metal album, but then progresses into a mighty fine ambient-laden Blackened Funeral Doom record that is evocative and entertaining, chilling and beautiful and with a unique sonic and thematic identity. While the album has some problems regarding creative guitar work, especially on the Black Metal parts, the ambient elements and the general atmospheric value of the whole record make Void an album that is definitely worth your time, especially if you are a fan of Atmospheric Black Metal, Funeral Doom and/or Ambient music.


 

Void will be released September 29th and can be preordered from Bandcamp.

Visit the official facebook page of the Opus Elefantum Collective for more great releases.


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Wode – Servants of the Countercosmos (2017)

Reviews

Wode – Servants of the Countercosmos
May 23rd, 2017 (UK); Avantgarde Music
LP (32 min.)
Black Metal

Lineup:
E. Troup – Bass
T. Horrocks – Drums, Guitars, Keyboards
K. Sveinsson – Guitars, Synths
M. Czerwoniuk – Vocals, Guitars, Synths

Track list:
01. Crypt of Creation
02. Celestial Dagger
03. Temple Interment
04. Servants of the Countercosmos
05. Chaosspell
06. Undoing


Only one year after releasing their acclaimed self titled debut album, English underground Black Metal act Wode are back with their second full length record.

On their debut album, Wode combined raw Black Metal with elements from the NWOBHM, Thrash and Melodeath and created a very bleak, cold sounding album.

On their new album “Servants of the Countercosmos”, Wode take what made their debut great and develop it further into a more interesting and versatile stylistic direction.
The album sounds less bleak than the debut, it’s a bit “warmer”, the Death Metal elements are a bit more prominent and the music generally is more diverse and progressive.

The music is still raw and aggressive with rousing riffs and drumming and relentless throat ripping vocals, but it is much more stylistically and compositionally versatile than the debut. The songs are on average shorter than on the debut, while the songwriting is more adventurous. This makes the album on the one hand more varied and interesting and on the other hand more coherent and compact, which I think is great because I found the debut album a bit “bulky” at times.

From the atmospheric intro to the acoustic guitar outro the album takes you on a highly entertaining and brilliantly written musical journey through everything we love about Black Metal (or extreme Metal in general).

If you liked the debut album, this record is an absolute must have for you. And if you are a fan of extreme Metal and don’t know this band yet, go and listen to this album.

This is one of the best Black Metal albums I’ve heard this year.


You can download this album for free from Bandcamp.

Visit the band’s official facebook page.


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Eoront – Another Realm (2017)

Reviews

Eoront – Another Realm
June 16th, 2017 (Russia);  Code666 (Aural Music)
LP (62 min.)
Atmospheric/Symphonic Black Metal

Track list:
01. The Rain
02. Two Worlds
03. Genesis
04. The Glow
05. The Sea
06. Dreamcatcher
07. The Order of Light


About the band

Eoront is a Russian Atmospheric Black Metal band that was founded in Krasnoyarsk in 2012 as a one man band. In 2013 the band independently released its first full length record “Neverending Journey”. In 2014, the German underground label Wolfsgrimm Records released the second album “Dhaar” consisting of two twenty-minute tracks. In the same year the band got a full live line-up and began to play concerts. One year later the band signed a contract with the Italian label Code666 and began recording their newest full-length album “Another Realm”. All members of the band participated in the recording and production of the album.

The band name “Eoront” is a neologism and the name of a fictious world with its own legends, myths, traditions and structure, which were initially the main content of Eoront‘s lyrics.

About the album

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“Another Realm” is a continuation of the journey around the world Eoront.
At this point in the history of this fictious world, Eoront has developed into a world of flourishing industry, pollution and large-scale wars. But it’s also a world where magic is always present. According to the band, the music on this album tries to portray the dichotomy and war between the decadence, dirt and chaos of the dark side of Eoront and the beauty and purity of its nature on the other side.
Lyrically, the album doesn’t explicitely talk about Eoront but consists primarily of poems by the Russian poets of the Silver Age – Nikolai Gumilev, Maximilian Voloshin, Alexander Blok and Konstantin Fofanov, who in their works combine the pain of the modern world and the enjoyment of the natural beauty of the past.

Track by track review 

The album is opened up by “The Rain”. The track begins with an Ambient introduction with a creepy atmosphere to it and then abruptly leads into raw Black Metal with the ambient theme still playing in the background. A very promising introduction into the album that sets the dark tone of the rest of the record very effectively and wakes interest for what is to come.

Track 2, “Two Worlds”, goes into a slightly different stylistic direction than the first track. The pacing is similarly fast, but the song isn’t as raw as the intro track and features a big amount of orchestral elements that play in the background. The orchestral elements, which immediately reminded me of the Norwegian band Kråke, are a major part of the whole album and give the music a very grand and epic atmosphere.

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The third track, “Genesis”, is a rather monotonous track with a very dark and pressing atmosphere. In my opinion, it’s a little too long for what it has to offer musically, but that’s just a minor flaw, considering the atmospherical value of this track.

“The Glow”, the fourth track on the album, is slower paced than most of the music on “Another Realm”, but contains multiple tempo changes, making it a very exciting song to listen to. Being both varied and atmospherically coherent, this song is a great example of a good balance between atmosphere and compositional creativity. One of my favourite tracks of the album.

“The Sea” is a song that begins with rather uninteresting classic Black Metal riffery but in the middle part it becomes very atmospheric and interesting. The orchestral and ambient elements are very effective on this track and give it a nice atmosphere that leads perfectly into the following song.

“Dreamcatcher” is again slower paced in the beginning and becomes a bit faster later on. This song has a very nice flow and takes the listener on an almost hypnotic and at times nightmarish journey. The drumming on this track is rather prominent and adds a dynamic element to the dense atmosphere. It seems like the longer tracks on this album are also the best ones. This song, much like “The Glow”, offers atmosphere and musical variance, it is both constantly atmospheric and musically creative. A great song, all in all.

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The last track on the album, “The Order of Light”, begins at very high tempo blast beats and guitar riffing with relentless vocals and impending symphonics in the background. A piano line adds a certain amount of “beauty” to the dark atmosphere and makes it an interesting listening experience that than leads into creepy distorted keys playing over a slow guitar riff and slow, heavy drumming. From there the song develops into an almost progressive sounding track with varied drumming and exciting synth and organ passages and ends with a nice ambient passage that is reminiscent of the album’s intro. A nice way to close the album off.

A few general things about the music, that more or less count for all the songs on this album: The vocals on the album are very good. They are not very versatile but in their range they are powerful and perfectly fitting for the music. The music generally sounds epic and “big”. This isn’t the lo-fi kind of Black Metal but is well produced and pleasant to listen to. In my opinion, Eoront really managed to create an atmosphere on this album that is both dark and frightening and kind of beautiful at the same time.

Conclusion

To sum it up, “Another Realm” is a very strong Black Metal record that provides a great amount of musical and compositional variance but is also very coherently atmospheric throughout the whole playing time. If you speak Rusian, I’m sure the listening experience will be even more interesting for you. If you like atmospheric, symphonic and/or melodic Black Metal, you have to give this album a spin!


You can purchase this album physically and digitally from Bandcamp.

Visit the band’s official facebook page.


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Ghost Bath – Starmourner (2017)

Reviews

Ghost Bath – Starmourner
April 21st, 2017 (USA);  Northern Silence Productions
LP (71 min.)
Post-Black Metal, Blackgaze

Lineup:
杰米 – Bass
泰勒 – Drums
多诺万 – Guitars, Vocals (backing)
丹尼斯 – Vocals (lead), Guitars, Piano

Track list:
01. Astral
02. Seraphic
03. Ambrosial
04. Ethereal
05. Celestial
06. Angelic
07. Luminescence
08. Thrones
09. Elysian
10. Cherubim
11. Principalities
12. Ode


I normally avoid writing negative reviews because I see this blog primarily as an opportunity to promote music that I like and not to rant about music that I don’t like. But sometimes I want to do just that. Rant about bad music.

And, my oh my, is this album bad.

Ghost Bath is a band that gained a lot of attention for claiming to be from Chongqing, China while actually being based in Minot, North Dakota. And ever since they released their first full length album they have been rather polarizing. Many seemed to hate them while others celebrated them as one of the best Post-Black Metal acts in existence. Their newest album “Starmourner” seems to be just as polarizing. When you look for reviews of this album online, you find almost exclusively positive reviews – except for Sputnikmusic, where everyone hates the hell out of this album. And I must say that I cannot understand the positive voices in this case.

For me, “Starmourner” is the first experience with the band, so I can’t compare this to the bands earlier works, but if they are similar to this, then I don’t have any interest whatsoever in checking them out.

I don’t really get what Ghost Bath are trying to achieve with this album. They combine happy sounding melodic Power Metal-esque guitar lines with depressive (?) Black Metal and Shoegaze atmosphere and incredibly terrible howling/screaming/crying (?) vocals. This could probably work (except for the vocals, those are terrible, no matter the context) if they knew how to fuse these elements into something listenable. But they apparently don’t. The songs are very oddly structured and sound very similar to each other. They go on forever and they go from nowhere to nowhere. Oftentimes this album sounds like an accidental fusion of different albums that should not be fused, ever.

Not that this album doesn’t have any good moments – but, unfortunately, every time I actually thought “This isn’t bad at all!”, Ghost Bath find a way to completely destroy it – completely unfitting happy-clappy guitar solos or harmonies, weird out-of-tune piano or guitar passages or THOSE ATROCIOUS VOCALS THAT MAKE ME WANT TO WRITE THE REST OF THIS REVIEW IN CAPS LOCK TO SHOW HOW MUCH THEY GOT ON MY NERVES!

Writing this, I realize that this review is probably very similar to the album – it lacks structure, it is not easy to follow, it is boring and it is pointless. Well, maybe that’s the best way to demonstrate what this album is like.

In conclusion, I’d rather take a “ghost bath” (“the act of commiting suicide by submerging in a body of water”, according to the band) than listen to this one more time. Man, I already spent two and a half hours on this.

Why? WHY?!

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Arkheron Thodol – Thaw (2017)

Reviews

Arkheron Thodol – Thaw
April 20th, 2017 (USA); Self-released
LP (57 min.)
Atmospheric Black Metal, Blackened Funeral Doom Metal, Post-Black Metal, Folk Metal

Lineup:
Kelly Elfstrom – Vocals
Shiloh McBee – Drums
Tanner Erhart – Bass
Mycah Tippit – Guitars

Track list:
01. I. Catalyst/Thresholds of Frost
02. II. The Reins of a Storm
03. III. Gnosis
04. IV. Spiritum Viridis
05. V. Within the Lucid Deep
06. VI. Sapling
07. VII. To Breathe; The Offering


Because Black Metal originated in Europe and is commonly seen as a “European” genre of Metal, many seem to forget (or ignore) how many great Black Metal bands there are on the other side of the big sea. Among those who do not ignore that fact, the US-American Black Metal scene is primarily known and loved for their atmospheric, folk and nature influenced style of Black Metal¹. The American scene gave birth to some of the greatest bands and artists in that particular subgenre. Bands like Agalloch, Wolves in the Throne Room and Panopticon are loved by Black Metal fans internationally. Those are only some of the rather “popular” bands in the scene, but there are many, many more great bands in the underground.

Arkheron Thodol is one of those bands. Hailing from Bozeman, Montana, Arkheron Thodol is an unsigned/independent band that was founded in 2012 and currently consists of four members. In 2015 the band released their 18 min debut EP “Oneironaut” (which I haven’t listened to yet). “Thaw” is the band’s first full-length record.

I was really happy when I received an email from the band asking me to review this album, because Atmospheric Black Metal is one of my favorite subgenres of Metal and I honestly can’t get enough of it. While I really enjoy other subgenres of Black Metal, as well, none of them really touches me on an emotional level the way many Atmospheric Black Metal bands do. Only if they’re good, of course. And this album is good. It’s actually much more than just “good”. It might be one of the best albums of 2017 I’ve heard so far.

The music on “Thaw” is a combination of many different styles of music, like Funeral Doom Metal, Folk and Ambient, all masterly melted together on the foundation of Atmospheric and Melodic Black Metal.

The first track of the album begins with a folky acoustic passage that is followed by melodic doomy guitar riffs and earshattering vocals. After a short acoustic passage the song’s tempo is then increased and the guitars and vocals become more aggressive and Blackened. The song than ends with an acoustic Folk passage. This structure and the contrast between beautifully melodic and atmospheric parts and raw passages is representative for the whole album. It is one of the reasons why “Thaw” is so entertaining and interesting. The band manages to create atmosphere without being too repetitive and one-dimensional – unlike many other bands in the genre. Their best characteristic is variety and versatility. And while the elements of their music generally aren’t anything completely new in the genre, Arkheron Thodol‘s music is still quite unique in the way those elements are put together.

Besides acoustic passages in most of the tracks on “Thaw”, there are also a few completely acoustic tracks on this album, which is again pretty common for the genre, but they are very well played and placed on the album, which makes them stand out from many other songs of that kind I’ve heard.

Another pretty cool element of the music on “Thaw” are the ambient and spoken word parts. Fun fact: This is the second album I’ve heard this year that features a spoken word passage from the Twilight Zone episode “The Obsolete Man” (the other one being “The Storm Before The Calm” by Death Therapy).

Generally, “Thaw” is well structured and produced, every song on the album is very well written, the musicians know what they are doing and the vocals are fantastic, as well. “Thaw” has beautiful melodies, great riffs and an absolutely captivating atmosphere. It really brings the best out of Folk, Doom and Black Metal together. I actually don’t have anything negative to say about the music, except for it maybe being a bit to “generic” in the sense that the music is not exactly anything “innovative”. But to be honest, if the music is good and manages to intrigue and entertain me, that doesn’t bother me at all, especially not in the genre of Black Metal.

But not only the music on “Thaw” is great, the lyrical concept of the album is pretty awesome, as well. It is quite complex, so I let Mycah Tippit, guitarist of the band, explain it to you instead of trying to summarize it myself:

Thematically, the album Thaw tells the story of someone awakening to a new depth of consciousness, and a more fully embraced sovereignty. However, before this path can be truly realized, one must clearly see the extent of the artificially created social programming that colors their experiences. Then they must make a focused effort to dismantle these behaviors. It is this conditioning or programming that forms the ice that must be thawed to release the true self. Thaw is the melting away of the force field that blocks one from experiencing the truth of our shared experiences. Thaw is the story of our species and its quest to fully connect and unify itself. The album touches on social issues regarding personal sovereignty and a harmonious symbiosis with the natural world.

To sum it up, if you like your Black Metal atmospheric and melodic or if you generally are a fan of atmospheric, yet extreme music, this album is for you and you should definitely check it out. As for myself, I’d say this album is a strong contender for my Top 10 of 2017 already, but we’ll see what the rest of the year will bring. Either way, go ahead and listen to the two tracks that are available for streaming on bandcamp and preorder the album if you like what you hear.


“Thaw” will be released April 20th, 2017 and can be preordered on bandcamp.

The band on facebook: Arkheron Thodol


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¹) Some of those bands are often summarized under the genre tag “Cascadian Black Metal”, which is, much like “Norwegian Black Metal” or “Swedish Black Metal” often used to describe the specific sound of certain bands, even if they are not Norwegian, Swedish or Cascadian. I do not use these terms as genre descriptions because I often find them to be rather confusing and misleading.